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“MAGIC MOMENTS” : Magic moments, when two hearts are carin’ // Magic moments, mem’ries we’ve been sharing … Time can’t erase the memory of // These magic moments filled with love … Magic moments filled with love  [Songwriters: Burt Bacharach / Hal David.  “Magic Moments” lyrics © Sony/ATV Music Publishing LLC]

“There’s a magic and mystery in positive events.”  –Sonja Lyubomirsky, PhD, psychologist

The term magic has a variety of meanings, hence there is no widely agreed upon definition of what it is or how it can be used.  However, some treat magic as a personal phenomenon intended to meet individual needs, as opposed to a social phenomenon serving a collective purpose.  The explanatory power of magic should not be underestimated, however.  Both in the past and in the modern world, magical belief systems can provide explanations for otherwise difficult or impossible to understand phenomena while providing a spiritual and metaphysical grounding for the individual.  [See “Magic” in Wikipedia.]

“It’s a mystery!”  –Tom Stoppard, Shakespeare in Love

“…moments of epiphany, or revelation, of radiance…with meaning essentially wordless, for words are always qualifications and limitations.”  –Joseph Campbell, The Power of Myth

“Persons who come for therapy do so because they lack power; they complain that they cannot achieve.  …  Patients want ‘magical knowledge,’ and no matter how correctly the therapist explains that insight is not magic, it still feels that way to the person when an insight ‘dawns.’”  –Rollo May, “Faust in the Twentieth Century” in The Cry for Myth (1991).

“There is no myth which is not the unveiling of a ‘mystery,’ the revelation of a primordial event which inaugurated either a constituent structure of reality or a kind of human behavior.  [But] when no longer assumed to be a revelation of the ‘mysteries,’ the myth becomes ‘decadent,’ obscured; it turns into a tale or a legend.”  –Mircea Eliade, “Preface” in Myths, Dreams, and Mysteries (1957)

“MEMORY”:  Midnight // Not a sound from the pavement // Has the moon lost her memory // She is smiling alone // In the lamplight…  Memory // All alone in the moonlight // …I remember the time I knew what happiness was // Let the memory live again // … Tonight will be a memory too // And a new day will begin // …  –Andrew Lloyd Webber, T. S. Eliot, Trevor Nunn, Zdenek Hruby • © Universal Music Publishing Group, Imagem Music Inc.

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Don Juan DeMarco is a 1995 American romantic comedy-drama film starring Johnny Depp as John Arnold DeMarco, a man who believes himself to be Don Juan, the greatest lover in the world.  Clad in a cape and domino mask, DeMarco undergoes psychiatric treatment with Marlon Brando’s character, Dr. Jack Mickler, to cure him of his apparent delusion.  But the psychiatric sessions have an unexpected effect on the psychiatric staff, some of whom find themselves inspired by DeMarco’s delusion; the most profoundly affected is Dr. Mickler himself, who rekindles the romance in his complacent marriage. [Wikipedia]  (Depp received the London Film Critics Circle Award for Actor of the Year.)

There are only four [great human] questions of value in life:

What is sacred?

Of what is the spirit made?

What is worth living for?

What is worth dying for?

The answer to each is the same: love

 “But the greatest of these is love.”  1 Cor. 13.13 (NIV)

 “…when all is said and done, none of us will be measured on how much we accomplish but on how well we love.”  –Krista Tippett, Speaking of Faith (2007)

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“Love never gives up, never loses faith, is always hopeful…  All that I know now is partial and incomplete…  Three things will last forever–faith, hope, and love…–Paul 1 Cor. 13.

“Where no hope is left, is left no fear.”  –John Milton, Paradise Regained, 3:206.

“Hope is the worst of evils, for it prolongs the torments of Man.”  –Friedrich Nietzsche

“It is hope that maintains most of mankind.”  –Sophocles

“There can be no hope without fear, and no fear without hope.”  –Spinoza

“Hope is the only God common to all men; those who have nothing more, possess hope still.”  –Thales

from Sam Keen, Apology for Wonder (1969): “There is no hope that we can eradicate evil and tragedy–only that we can find ways of keeping the spirit alive.”

“My Lord God, I have no idea where I am going.  I do not see the road ahead of me.  I cannot know for certain where it will end…  But I believe that the desire to please you does in fact please you.  And I hope I have that desire in all that I am doing.  I hope that I will never do anything apart from that desire….”— Prayer by Thomas Merton

“…mental illness results directly from hopelessness and lack of a sense of the possible.  Wishing, willing, and hoping are essential to sanity.”  –Sam Keen

“Agnosticism and hope are not incompatible.”  — Sam Keen

“The only hope you have is to hope for the best, but don’t you get your hopes up nor hope against hope.”

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“What we call the beginning is often the end / And to make an end is to make a beginning.  / The end is where we start from.”  –T. S. Eliot

“The past is never dead.  In fact it’s not even past.”  –William Faulkner

“…these statements express the realization that we can never access the body of the past, the physical experience that people now dead once felt in the very fiber of their bodies.  But we can also nevernot want to access that past, to think, imagine, and write our way back to an imagination of what those bodies must have felt [Walt Whitman’s referring to the Civil War dead].  Often our own past feels this way, too–we recall feeling pain or horror or terror, but it is difficult to ‘get it in the books,’  to write it so that others can experience in their bodies what we felt in ours (or so that we can once again feel what we know we once felt).  Writers often experience most keenly this notion that ‘the past is never dead’ and that we are always starting at the end.’”  [IWP © The University of Iowa 2012-2016]

MEMORIESOFATIME  are often written about past events which caused the writer to feel intensely and deeply and physically, then described in such a way emphasizing what the body felt–words being used to bring a dead past alive.

“Memories are the key not to the past, but to the future.”  –Corrie Ten Boom

“Fear not for the future, weep not for the past.”  –Percy Bysshe Shelley

“There is not past, no future; everything flows in an eternal present.”  ….  “Hold to the now, the here, through which all future plunges to the past.” –James Joyce

“We can’t let the past be forgotten.”  –George Takei

“The destruction of the past is perhaps the greatest of all crimes.”  –Simone Weil

© James F. O’Neil 2016 

“You can’t tell a book by its cover.”  “Read the book first.”  Really?

“Time traveling is very confusing.”  –Rachel McAdams

“A movie, for me, is a completely heart-, gut-level experience.  And occasionally, the mind comes into play to sort of engage what’s happening…but mostly movies are not observed in the mind.  And often, when your energy goes into your mind to watch a movie, you disengage from the story, and it takes a little while to get pulled back.” –Bruce Joel Rubin, Screenwriter

“The movie is gonna exist alongside the book.  But I think you can get in trouble if you don’t give the movie a life of its own.  If you don’t have time to tell it in the movie, you can’t assume the audience knows it, because you have to tell your story for people who haven’t read the book, and who are maybe gonna read the book later as well.”  “  Gomez,” Ron Livingston

“You can create the illusion of a novelistic feeling in a film, but it’s not really what film does best, for the most part.  I think films are probably closer to a short story.  Films work toward a single cataclysmic event…most of the time at the end, and that’s a short story: ‘When is it gonna happen?  How is it gonna happen?’”  –Robert Schwentke, Director

“…there is a presence that goes beyond death.  I play with that a lot in the movie Ghost.  I play with it a little bit in Jacob’s Ladder.  It’s a theme I really care about.  The great love stories are always stories that are ultimately about loss…about not being able to have forever, in the physical sense, the one you love. 

“As a writer, I get this enormous joy of knowing I get two hours at any given moment to talk to the world.  But I realized early on that each movie is like a sentence, an idea, one idea.  

“And a career, if you’re lucky to have a career, is a paragraph.  And that’s what I want.  I want to be able to have one paragraph of understanding that I can share with the world.  And all of these films put together, I think, create that paragraph.  And Time Traveler’s Wife fits into that paradigm perfectly for me.

“It’s not a full 100-percent statement of what it means to be free of death, but it is a real intimation of love continuing beyond time.”  –Bruce Joel Rubin

© 2008 Internationale Scarena Film.

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