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In Search of Lost Time/À la recherche du temps perdupreviously also translated as Remembrance of Things Pastis that novel in seven volumes, written by Marcel Proust (1871–1922), often heard about, often to-be-read, often-never-read (finished).  It is considered his most prominent work, known both for its length and for its theme of involuntary memory, the most famous example being the “episode of the madeleine” which occurs early in the first volume.  The novel recounts the experiences of the narrator (who is never definitively named) while he is growing up, learning about art, participating in society, and falling in love.  The novel has been pronounced as “the most respected novel of the twentieth century” or “the major novel of the twentieth century.”

Involuntary memory, also known as involuntary explicit memory, involuntary conscious memory, involuntary aware memory, and most commonly, involuntary autobiographical memory, is a subcomponent of memory that occurs when cues encountered in everyday life evoke recollections of the past without conscious effort.  (Voluntary memory is characterized by a deliberate effort to recall the past.)

Precious fragments are those parts of involuntary memories that arise in everyday mental functioning, comprising the most common occurrences, characterized by their element of surprise, as they appear to come into conscious awareness spontaneously.  They are the products of common everyday experiences such as eating a piece of apple pie, or the smell of Crayolas, or the sound of a fire engine or freight train, bringing to mind a past experience.  (Not-so-precious fragments are some involuntary memories arising from traumatic experiences, repetitive memories of traumatic events, like those parts of PTSD).

Proustian memory: Marcel Proust was the first person to coin the term involuntary memory.  He viewed involuntary memory as containing the “essence of the past,” describing an incident where he was eating tea soaked cake; then a childhood memory of eating tea soaked cake with his aunt was “revealed” to him.  From this memory, he proceeded to be reminded of the childhood home he was in, and even the town itself.  This becomes a theme throughout In Search of Lost Time, with sensations reminding the author-narrator of previous experiences.  He dubbed these “involuntary memories.”  [Wikipedia information]

For further interest and current research on why you might be reminded of…when you see…, look at Chaining, Priming, Reminiscence bump, Trauma-related Intrusions, PTSD.

(Stressful and traumatic events, which may manifest as involuntary memories called flashbacks, may trigger a wide range of anxiety-based and psychotic disorders.  Social phobia, bipolar disorder, depression, and agoraphobia are a few examples of disorders that have influences from flashbacks.)

“The role of memory is central to Proust’s novel, introduced with the famous madeleine episode in the first section of the novel; and in the last volume, Time Regained, a flashback similar to that caused by the madeleine is the beginning of the resolution of the story.  Throughout the work, many similar instances of involuntary memory, triggered by sensory experiences such as sights, sounds, and smells conjure important memories for the narrator and sometimes return attention to an earlier episode of the novel.  Although Proust wrote contemporaneously with Sigmund Freud, with there being many points of similarity between their thought on the structures and mechanisms of the human mind, neither author read the other.”  [Wikipedia notes]

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“. . . the freedom to choose or reject ideas, to read books of one’s choice, and to publish freely is the very bedrock of our free society.  . . .  No book placed in a public library should be forcibly removed.  No textbook should be burned.”  –Kurt Vonnegut, Jr.

 

 

  1. I Am the Cheese: Robert Cormier, 1977.
  2. Fahrenheit 451: Ray Bradbury, 1971.
  3. Anthem: Ayn Rand, 1975.
  4. 1984: George Orwell, 1975.
  5. Native Son: Richard Wright, 1940.
  6. The Catcher in the Rye: J. D. Salinger, 1951.
  7. Slaughterhouse-Five: Kurt Vonnegut, Jr., 1969.
  8. To Kill a Mockingbird: Harper Lee, 1960.
  9. Forever: Judy Blume, 1975.
  10. The Adventures of Huckleberry Finn: Mark Twain, 1884.

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“Religious man experiences two kinds of time: profane and sacred.  The one is an evanescent duration, the other a ‘succession of eternities,’ periodically recoverable during the festivals that made up the sacred calendar.  The liturgical time of the calendar flows in a closed circle; it is the cosmic time of the year, sanctified by the works of the gods.”  Mircea Eliade,   The Sacred and the Profane

“There is a time for everything, and for everything there is a season and a purpose under heaven: A time to be born, and a time to die; a time to plant, and a time to harvest what is planted; a time to kill, and a time to heal; a time to break down, and a time to build up.  A time to weep, and a time to laugh; a time to mourn, and a time to dance; a time to throw away stones, and a time to gather stones together; a time to embrace, and a time not to embrace.  A time to seek, and a time to lose; a time to keep, and a time to throw away; a time to tear, and a time to sew, and a time to keep silence, and a time to speak.  And there is a time to love, yet a time to hate; a time for war, but also a time for peace.”  –Ecclesiastes 3.1-8.

 …And I’m not alone,
While my love is near me,
And I know, it will be so, till it’s time to go…
So come the storms of winter,
and then the birds in spring again.
I do not fear the time.
Who knows how my love grows?
Who knows where the time goes?  –Sandy Denny / Judy Collins

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“We become human only on leaving Eden, mature only in realizing that childhood is over.  We come home to the fullness of our humanity only in owning and taking responsibility for present awareness as well as for the full measure of our memories and dreams.  Graceful existence integrates present, past, and future.”  –Sam Keen, To a Dancing God [1970]

Sam Keen (born 1931) is an American author, professor, and philosopher best known for his exploration of questions regarding love, life, religion, and being a man in contemporary society.  He also co-produced Faces of the Enemy, an award-winning PBS documentary; was the subject of a Bill Moyers’ television special in the early 1990s; and for 20 years served as a contributing editor at Psychology Today magazine.  [He completed his undergraduate studies at Ursinus College in Collegeville, Pennsylvania, and later completed graduate degrees at Harvard University and Princeton University.–Wikipedia]

“The story is the basic tool for the formation of identity.

“A large part of our self-concept consists of the narrative by means of which we remember and relate our past experiences.

“Human life is rendered ultimately meaningful by being incorporated into a story.

“Telling stories is functionally equivalent to belief in God.  **

“Once the individual recovers his or her history, she or he finds it is the story of every man.

“The more I know of myself, the more I recognize that nothing human is foreign to me.  In the depth of each person’s biography lies the story of all man.”

Actually, telling our story strengthens our ego:  “The very process leads the teller to become aware that he or she is a person with a unique history of triumph and tragedy, with as yet unfulfilled hopes and projects.” 

**“In exploring the significance of the metaphor of the story, I will suggest that telling stories is functionally equivalent to belief in God, and, therefore, ‘the death of God’ is best understood as modern man’s inability to believe that human life is rendered ultimately meaningful by being incorporated into a story.”  —To a Dancing God

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