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ARTHUR C. CLARKE: THE BEST. SERIOUSLY. SERIOUSLY?

March 23, 2017
AUTHORS, IDEAS, PEOPLE, RITE/RITUAL
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Sir Arthur Charles Clarke, CBE, FRAS (16 December 1917–19 March 2008) was a British science fiction writer, science writer and futurist, inventor, undersea explorer, and television series host.

How dare he change the symbols for evil used by Christianity for hundreds of years and iconoclasticize them into order, truth, and peace?  He did dare, in a small, powerful, prescient novel published in 1953–Childhood’s End–, taking place in the year 19–.  In 1968 came 2001: A Space Odyssey–filled with myth, archetypes, rituals–and IBM and HAL.  An odyssey by the master artisan who writes a sequel to Homer’s story of the wanderer.  Then, among others, Rendezvous with Rama (1972); 2010: Odyssey Two (1982); and 3001: The Final Odyssey (1997).

Arthur C. Clarke opens up the possibilities of gaining or losing: souls or history, in speculative fiction in the spirit of Jonathan Swift.  He writes of trade-offs for survival.  He speculates upon the worlds of peace, the new/next Golden Age.

As much as Milton or Bosch, he has a vision.  But he is sometimes, not unlike Teilhard de Chardin, showing evolution continuing, not stopping with the human, which may be a missing link.  Man is moving toward the Omega Point.

One looks to Clarke–SERIOUSLY–for metamorphosis, for mysticism, for the awareness of the fragile beauty surrounding [us] earthlings.

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THE PATH NOT TAKEN

March 7, 2017
IDEAS, THINKING AND THOUGHT
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                                                                                                     SANIBEL ISLAND, FLORIDA

“Two roads diverged…I could not travel both….  Yet knowing how way leads on to way…I took the one less traveled by, / And that has made all the difference.”  –Robert Frost, “The Road Not Taken” (1930)

DIVERGE: differ, vary, contrast, deviate, bend, branch off, fork divaricate, DIVERGENCE: branch, fork, crotch, detour, deviation.  DIVERGENT: dissonant, factious, factional. 

DIVERGE: To go or extend in different directions from a common point; branch out; to differ, as in opinion or manner; to depart from a set course or norm; deviate; to run apart; to separate; to tend into different directions; to become different; to run apart; to separate; not to converge: to have no limit, or no finite limit; to differ from a typical form; to vary from a normal condition; to dissent from a creed or position generally held or taken, or from the truth;  in different directions (not directly opposed) from a common point; a receding one from another: opposed to convergence: as, the divergence of lines.

DIVERGENT: A departure from a course or standard; differentiation in action or character; deviation; a difference between conflicting facts or claims or opinions; the act of moving away in different direction from a common point; moving or situated in different directions from a common point, as lines which intersect: opposed to convergent.

DIVARICATE: To diverge at a wide angle; spread apart; to branch off; forking; to turn away or aside, as, to divaricate from the will of God; to diverge widely.

“You are what you can’t stop doing. 

What someone is passionate about, that person and that thing will intersect.

Passion involves compulsion.

People–all people–have compulsions that draw them away from their safety and their best interests.

People and what they love don’t always intersect.

People and their compulsions do.”  Dialogue from Amazon Original Series Patriot (2012).

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“TELL ME ANOTHER STORY! PLEASEPLEASEPLEASE!!!”

February 22, 2017
AUTHORS, IDEAS, RITE/RITUAL, THINKING AND THOUGHT, WRITING/BLOGGING

“Once upon a time…” Sam Keen told and repeated the story of the death of his father.  Keen’s world was shattered, he writes, leading to his finding “a new myth by which to live.”  He realized that he “had a repertoire of stories within my autobiography that gave me satisfying personal answers about the meaning of my life.”

“Everyone has a fascinating story to tell, an autobiographical myth.  And when we tell our stories to one another, we, at one and the same time, find the meaning of our lives and are healed from our isolation and loneliness.”

“We don’t know who we are until we hear ourselves speaking the drama of our lives to someone we trust to listen with an open mind and heart.”

[“In a strict sense myth refers to ‘an intricate set of interlocking stories, rituals, rites, and customs that inform and give the pivotal sense of meaning and direction to a person, family, community, or culture.’”]

“The organizing myth of any culture functions in ways that may be either creative or destructive, healthful or pathological.  By providing a world picture and a set of stories that explain why things are as they are, it creates consensus, sanctifies the social order, and gives the individual an authorized map of the path of life.  A myth creates the plotline that organizes the diverse experiences of a person or community into a single story.”

“Every family, like a miniculture, also has an elaborate system of stories and rituals that differentiate it from other families.  …  And within the family each member’s place is defined by a series of stories.”

“Each person is a repository of stories.  …  We gain the full dignity and power of our persons only when we create a narrative account of our lives, dramatize our existence, and forge a coherent personal myth that combines elements of our cultural myth and family myth with unique stories that come from our experience.”

[Santayana: “Those who do not remember history are condemned to repeat it.”]

“To remain vibrant throughout a lifetime we must always be inventing ourselves, weaving new themes into our life-narratives, remembering our past, re-visioning our future, reauthorizing the myth by which we live.”

“TO BE A PERSON IS TO HAVE A STORY TO TELL.  WE BECOME GROUNDED IN THE PRESENT WHEN WE COLOR IN THE OUTLINES OF THE PAST AND THE FUTURE.”  –Sam Keen and Anne Valley-Fox, Your Mythic Journey (1973; 1989)

So, “Tell me a story, pleeeeze…”

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“GIMME SOME A’ LOVIN’”!: HEALTHY FEEDBACK

February 13, 2017
AUTHORS, EDUCATION AND LEARNING, IDEAS, PEOPLE, PHILOSOPHY-ETHICS, THINKING AND THOUGHT, UNIVERSAL TRUTHS
4 Comments

Omne agens agit propter finem.    Every agent acts on account of an end.

To begin, let us focus on statements regarding human action from Thomas Aquinas, the Summa Contra Gentiles [I.II:1:6]: That is to say, every subject acts toward an end that is a good for him.

The act of love is the first of all acts and gives rise to all others.

Thomas asks whether love is the cause of all that the lover does.  His reply is brief yet incisive: “I reply that every agent acts for an end.  The end, however, is the good which is loved and desired by each thing.  Hence it is clear that every agent, whatever it may be, carries out every action from some love.”

The primacy of the person in Aquinas’ “moral universe” is evident.  The first affective motion is love (amor).  The priority of love holds not only for the passions, but also for the rational appetite or will.  Thus love is the most basic motion of the will and the principle of all moral action.  The absolutely first appetitive motion in rational beings is the love of persons.  It is this love that gives rise to all moral action, whether good or evil, since in all action the agent aims at the perfection of some person, either himself or another.  It is no surprise then to find Thomas explicitly stating this position: “The principal ends of human acts are God, self, and others, since we do whatever we do for the sake of one of these.”

BUT: “A subject isolated from sensory stimulus and social interchange begins to hallucinate rapidly and to lose all sense of reality.  Sadists who subject prisoners to solitary confinement understand intuitively that the cruelest punishment is to remove a man [or woman] from the community and thereby deprive him [or her] of his [or her] humanity.  Confusion results when community is lost.

HEALTH DEPENDS UPON THE CONVICTION THAT OUR ACTIONS COUNT.  I remain potent only so long as I get feedback which demonstrates that the force of my action is felt…I [obtain] the knowledge of the resonance of my actions, as well as the joy of knowing that my gifts are received and appreciated.

[I become] a responsible agent, with a sense that the future is open, [and] I understand myself to be essentially in a social context, and therefore my fundamental desires always involve other persons.”  –Sam Keen, To a Dancing God [1970]

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